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In TRIPLE NINE, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist and the only way to pull it off is to manufacture a 999, police code for "officer down." Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck action-packed finale tangled with double-crosses, greed and revenge. (C) Open Road Films

About Triple 9

Artist : John Hillcoat, Matt Cook
As : Gal Gadot, Teresa Palmer, Kate Winslet
Title : Triple 9 Full Movie In Arabic
Release date : 2016-02-26
Movie Code : 1712261
Duration : 115
Category : Drama

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Name : Liz Braun / Alias : Toronto Sun
Triple 9 races past in a blur of crime and action scenes, with plenty of violence and the odd spot of gallows humour to keep things interesting.

Name : Amy Nicholson / Alias : MTV
#AllLivesMatter? Not here. Hillcoat wants us to admit the truth behind the robbers' callous calculation: Some people are worth more than others.

Name : Rafer Guzman / Alias : Newsday
A miserable, misguided police drama that almost seems to hate the police.

Name : Peter Travers / Alias : Rolling Stone
Triple 9 is no Reservoir Dogs, but it is a twisty, terrific ride. And Kate Winslet has a blast with the Russian accent, the wig, the attitude.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The most impressive thing about Triple 9 is that it somehow manages to be both predictable and incoherent at the same time. Well, that and the fact that it manages to make half a dozen good actors look really lost.

Name : Mark Jenkins / Alias : NPR
Cops prowl darkened mazes, looking for perps they probably couldn't see even if they found them.

Name : Steven Rea / Alias : Philadelphia Inquirer
Most parties concerned maintain their grim countenances, their characters struggling to find the sweet spot between honor and greed, between doing the right thing and doing the absolute worst.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The slam-bang opening bank robbery and chase channels the best of Michael Mann from his Heat days. But Triple 9 soon bleeds out and becomes a perfunctory hodgepodge of other crime movies.

Name : Lindsey Bahr / Alias : Associated Press
Triple 9 imagines itself a sprawling, nihilistic epic, and it floats along for a while on the shoulders of its prestige filmmaking and cast, but ultimately the storytelling just isn't up to the task.

Name : Soren Anderson / Alias : Seattle Times
[Hillcoat is] an expert in creating and sustaining gut-twisting tension. Good qualities all, but used here in the service of a story that is truly unappetizing.

Name : David Edelstein / Alias : New York Magazine/Vulture
Given the movie's bloody stew of greed and sadism, its unbalanced frames and ear-scraping soundscape, its moral tidiness can bring a smile to your otherwise appalled face.

Name : Stephen Whitty / Alias : New York Daily News
It's got everything except a real script. Or director.

Name : A.A. Dowd / Alias : AV Club
Triple 9 is like a David Ayer film on steroids, which is to say it's like Training Day if most of the characters were as morally compromised as Denzel Washington's.

Name : Lou Lumenick / Alias : New York Post
There's a blue-chip cast running the gamut from A (Casey Affleck) to W (Kate Winslet) and terrific action sequences in Triple 9 - but in the end, this relentlessly nihilistic crime-caper thriller adds up to less than the sum of its impressive parts.

Name : Matthew Lickona / Alias : San Diego Reader
The uneven thing [here] is John Hillcoat's direction: a tense, sustained journey through an apartment while lined up behind a bulletproof shield alternating with indulgent zooms and cuts depicting local color.

Name : Ty Burr / Alias : Boston Globe
Hillcoat brings stray moments of style and surprise to "Triple 9" but not nearly enough to save it; for every twist you don't see coming, there are five you probably will.

Name : Joe Morgenstern / Alias : Wall Street Journal
"Triple 9" is as heartless as the people who infest it-the exception being a decent cop, Chris Allen, played by Casey Affleck-and mannered to the point of self-parody.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Triple 9" doesn't exactly transcend its genre, but it definitely exploits it for all it's worth.

Name : Tony Hicks / Alias : San Jose Mercury News
There are a lot of great actors here and surprisingly good action scenes and a tense ending, all of which make "Triple 9" one of the more enjoyable urban crime dramas in recent memory.

Name : Justin Chang / Alias : Variety
A modern-day heist thriller of unusually grim, coiled intensity .

Name : Ann Hornaday / Alias : Washington Post
"Triple 9" feels more like a collection of good scenes than a novel, propulsive whole. Viewers are apt to be entertained by the film's visceral pulp pleasures, but left apathetic when it comes to its instantly forgettable genre cliches.

Name : Tom Huddleston / Alias : Time Out
Tight, taut and brilliantly structured.

Name : Katie Walsh / Alias : Los Angeles Times
Hillcoat directs with a sense of immediacy and grimy realism, bringing the audience into the shootouts and bloodshed on the streets. Atlanta becomes another war zone for the men who have seen war, battling an enemy of a different race and culture.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Although "Triple 9" was most likely just a paycheck film for all involved, its go-for-the-gut efficiency can't be denied.

Name : Manohla Dargis / Alias : New York Times
One of those productions in which much of the creative energy has been funneled into gaudily inventive displays of violence.

Name : James Berardinelli / Alias : ReelViews
Hillcoat's approach is to craft a pulse-pounding experience that employs a mixture of conventional footage and hand-held work. There's an immediacy to the most gripping scenes.

Name : Brad Wheeler / Alias : Globe and Mail
Though compelling in the acting and cinematography, Triple 9's plot is by the numbers and about nothing.

Name : Peter Howell / Alias : Toronto Star
John Hillcoat packs a binge watch of characters and incidents into this corrupt-cop thriller.

Name : Todd McCarthy / Alias : Hollywood Reporter
Without much investment, one just sits back with increasing detachment and bemused curiosity as to where and on whom the next shoe will drop.

Name : Alan Scherstuhl / Alias : Village Voice
It's hard to tell how much time has passed between scenes, or just why, as the twists come, the characters would suddenly turn so dumb.

Name : J. R. Jones / Alias : Chicago Reader
Matt Cook's maiden feature-length screenplay-something about dirty Atlanta cops being blackmailed by the Russian Jewish mafia-is so murky it leaves the whole cast looking tentative, if not defensive.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Triple 9" is a superbly crafted film, the sort of big-screen roller coaster I admire even if its plot falters.

Name : Barbara VanDenburgh / Alias : Arizona Republic
The action is bracing, the twists sprightly, but the sum of its parts sits heavy, like a meal that won't digest.

Name : Alonso Duralde / Alias : TheWrap
If there's a police code it merits, it's a "10-22": "Disregard."

Name : Richard Roeper / Alias : Chicago Sun-Times
If you're in the right frame of mind for a lurid, blood-soaked B-movie with an A-list cast, Triple 9 is just the ticket.

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Ver Online Pelicula Espanol
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

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